Leaping drunk in Hamburg, locked in a bunker in Berlin, tearing up the road from New York to Tokyo via everywhere in between, the non stop world of folk punk heroes Skinny Lister is broadening by the record. If their folk debut celebrated the sticks and their punkier second blinked in the bright lights of London, rocked-up third album, The Devil, The Heart & The Fight, has seen them go global.
“The first album [Forge & Flagon] was quite rural,” says singer, guitarist and one-time chief of the stomp-box Dan Heptinstall, while the second [Down On Deptford Broadway] was very London-centric. With this latest album, because we’ve done so much traveling, it was broadening out a bit, it’s more on-the-road. We cobbled the songs together all across the world.” Since the release of The Devil, The Heart & The Fight, the world has continued to unfurl for Skinny Lister. After solid touring throught the latter end of 2016, it was inevitable that the band would leap back into it come the new year. 2017 opened with a massive tours with Flogging Molly in the US and Dropkick Murphys in Europe. They followed this in the spring with a sold out UK tour including their biggest London date so far at Scala and a slot at Frank Turner’s Lost Evenings four-night Roundhouse residency. The rest of the summer schedule is packed with festival dates including Glastonbury, Camp Bestival, Hurricane & Southside, Greenfield, and more before an expansive European tour in the autumn covering Norway, Sweden, Finland, Germany, Austria, Switzerland.
As folk rock’s rowdiest rabble since 2009, Skinny’s world has always been an adventure-filled place to be. They’ve held gigs in Land Rovers. They’ve sung while wing-walking. They’ve toured in a narrow boat. They’ve stomped and jigged on restaurant tables, in hotel elevators and in record label car parks. And, as their two previous albums sent them reeling into the hearts of America, the UK, Germany and Japan – on headline tours and stints with Frank Turner, Flogging Molly, Dropkick Murphys and the Vans Warped Tour – wherever they play their lusty shanties, punk folk roar-alongs and crazed whirls of love, fighting and booze, you’ll still find them out dancing with the crowd, passing around their flagon of rum or crowd-surfing to the bar, double-bass in hand, to neck shots mid-song. Make no bones – Skinny Lister are the wildest party band you’ll ever get drunk with. And you will get drunk with them.
“We still have the flagon,” says Dan. “We pass it full of rum out to the crowd and everyone partakes.”
Pieced together while on the road, and recorded over five weeks in Newcastle Under Lyme’s Silk Mill Studio in May 2016 with producer Tristan Ivemy (Frank Turner, The Holloways), The Devil, The Heart & The Fight is Skinny Lister’s most far-reaching, exciting and accomplished album yet. It’s a full-on rock record that splashes even more punk vigour and eighties pop elements across their fervent folk canvas, taking in hints of Adam Ant and Kate Bush. It also brings the folk storytelling tradition bang up to date with its tales of on-the-road mayhem, most notably the Pogues-ish ‘Hamburg Drunk’, the story of the fateful night they ended a tour in Hamburg with plenty of rider booze left and decided the most sensible course of action was to neck the lot.
From the fiery Elvis-gone-folk roar of opener ‘Wanted’ – Dan saluting London, New York and Cairo in a song “about looking for life in the cities we’d visit” – The Devil, The Heart & The Fight comes out fists first. “We wanted a big sound,” says Lorna, “we wanted it to sound punchy and have more attitude than the last one.”
They wanted it to be brutally honest and close to the knuckle too. “This album has been inspired by ‘Trouble On Oxford Street’ a bit more,” Lorna reveals, “there’s a few more true stories on it. Nobody’s safe. If you know us, you’re not safe.” “I’ve gone pretty close to home on a lot of the songs,” Dan adds. “One of them’s about our drummer Thom who had his wedding cancelled by his fiancée. Everything I write is true but there’s a lot of songs on there about people that are pretty close to me.”
So the jubilant ‘Geordie Lad’ is an open letter of reconciliation to their ex-bassist Dan Gray. “He left the band and there was a bit of falling out,” Dan explains. “It’s a shame that we’re not as good friends as we were. So it’s a little nod to that as well as speaking to him indirectly through the medium of album.”
And what of Charlie, eponymous star of a pounding pop classic who “carries the dream for all of us, flying the flag for northerners, council estate to Hollywood… like Steve McQueen he took the jump”? “He’s a friend of mine from Bridlington,” says Dan. “He lived on a council estate I used to live on in East Yorkshire. He’s only twenty-one but his sister was doing bits of acting work, took him along to an audition and he got picked up by an agent who then passed him on to an agent in LA and from there he’s picked up a role in a film that’s coming out this year and a big Netflix series that’s about to hit the screens. So he’s by accident fallen into this life. There’s a bit of jealousy in there but good on him.”
A mature, vibrant and varied record, it mingles classic Skinny folk romances (‘Grace’, ‘Reunion’) with epic rock takes on rafter-rattling shanties (‘Beat It From The Chest’) and hearty Dexys-style tributes to the fans they meet on the road (‘Fair Winds & Following Seas’), plus a hitherto unseen darker side. Take the deceptively upbeat ‘Injuries’, Dan’s ode on the bruising nature of life, or ‘Devil In Me’, in which Lorna comes on like a particularly melodic Glenn Close in Fatal Attraction: “the devil in me will come for you and you’ll pay the price for not being very nice… you took my life, I’m taking yours, that seems to me a fair trade”. Gulp.
And The Devil, The Heart & The Fight is like Skinny’s previous albums gone backpacking; expanding its horizons, full of adventure, discovering itself and doing things it regrets in the morning. Have heart, ye devils, join the fight.