Bio

PSYCHO-FRAME delivers a raw, unfiltered take on modern deathcore with their full-length debut, SALVATION LAUGHS IN THE FACE OF A GRIEVING MOTHER [SHARPTONE]. Drawing influence from classic American death metal while channeling a chaotic, present-day urgency, the band’s sound is as deliberate as it is aggressive—built on tightly executed riffs, relentless drumming, and vocals that refuse to hold anything back.

What began as a casual collaboration between guitarist/producer Hunter Young and vocalist Mike Sugars quickly grew into something more serious. “Hunter and I were both getting off tours from our respective bands, playing games together a lot, and just got to talking,” Mike recalls. “The more that happened the more we said, ‘Let’s make something that we actually want to hear.’” The result was a series of early releases that gained fast traction, including 24 HOURS LEFT, REMOTE GOD SEEKER, and AUTOMATIC DEATH PROTOCOL, all of which helped land the band among Revolver’s “Top 5 Deathcore Bands Right Now.”

As the music evolved, so did the lineup—welcoming Colter Cuthbertson on vocals alongside Sugars, Aiden “Dave” Bessent on guitar and Leo McClain on drums. Together, they recorded the new album throughout 2024, with a focus on clarity, heaviness, and a refusal to overcomplicate the message.

“This album feels like accomplishing everything we wanted to achieve sonically since the band’s inception just a short couple years ago,” Mike says. “I’m confident that anyone who’s been with us since the beginning, or newcomers that listen to the back catalogue, will see that we’ve honed in on our vision for P-F.”

The vision is clear: make a record that hits hard and says exactly what it means. “They’re my favorite songs we’ve done yet,” Mike continues. “There’s a more baseline sense of realness in the lyrics on this one too. There’s no room for metaphor, or beating around the bush. We said what we meant.”

That lyrical shift is deeply reflected in Colter’s contributions, written during major life transitions and personal upheaval. “Lyrically this record spans from borderline satirical hyper-aggression to genuine, sentimental and personal doctrines,” he explains. “Written during monumental life changes and in the midst of panic attacks, we’re proud to present the body of lyrical work rendered. Sonically, I believe it’s one of the most aggressive and unrelenting pieces of music ever made without a second of filler.”

From the grind-influenced rhythms of “INVERTED SPEAR OF HEAVEN” to the dual guitar solos and intensity of “THE PORTAL,” each track builds on the foundation the band has carefully laid since day one. One of the album’s standout moments, “BLACK_WAVE II,” acts as a spiritual continuation of Hunter’s work with his other project, Moodring. With its layered tremolo-picked guitars and volleying vocal exchanges, it serves both as a nod to the band’s broader creative roots and as a sharp critique of idol culture. “Much of the record is very anti-religious.” says Young. “But that extends to idols in politics and the music scene. No one is above you.”